Cut-up technique

The __cut-up technique__ (or ''découpé'' in French) is an aleatory literary technique in which a written text is cut up and rearranged to create a new text. The concept can be traced to at least the Dadaists of the 1920s, but was popularized in the late 1950s and early 1960s by writer William S. Burroughs, and has since been used in a wide variety of contexts - wikipedia

# Examples

YOUTUBE Rc2yU7OUMcI Cut-Ups William S. Burroughs from Origin and Theory of the Tape Cut-Ups clip.

YOUTUBE m1InCrzGIPU David Bowie explains his cut-up technique that he used, he didn't even hide the lines of coke on the table.

YOUTUBE 6nlW4EbxTD8 How David Bowie used 'cut ups' to create lyrics - BBC News

YOUTUBE NfaX1A_aJ9g William Burroughs ~ The Cut Up Method (1966 )

YOUTUBE MLghchFkttM William Burroughs' Cut Up Technique (audio). An interview is given here in which William Burroughs describes the theory behind the cut-up technique- how he deemed it best to use the technique, and also what he thinks it means for our understanding of the world in which one may write about. The second interview is with punk rocker Jello Biafra, in which he describes the practical use of the technique to suggest ideas dormant in a text, waiting to be brought to one's attention.

# Technique

The cut-up and the closely associated fold-in are the two main techniques - wikipedia

- ''Cut-up'' is performed by taking a finished and fully linear text and cutting it in pieces with a few or single words on each piece. The resulting pieces are then rearranged into a new text, such as in poems by Tristan Tzara as described in his short text, ''TO MAKE A DADAIST POEM''. - ''Fold-in'' is the technique of taking two sheets of linear text (with the same linespacing), folding each sheet in half vertically and combining with the other, then reading across the resulting page, such as in ''The Third Mind''. It is William S. Burroughs|Burroughs and Brion Gysin|Gysin's joint development.

Gil J. Wolman developed cut-up techniques as part of his lettrism practice in the early 1950s.

Also in the 1950s, painter and writer Brion Gysin more fully developed the cut-up method after accidentally re-discovering it. He had placed layers of newspapers as a mat to protect a tabletop from being scratched while he cut papers with a razor blade. Upon cutting through the newspapers, Gysin noticed that the sliced layers offered interesting juxtapositions of text and image. He began deliberately cutting newspaper articles into sections, which he randomly rearranged. The book ''Minutes to Go'' resulted from his initial cut-up experiment: unedited and unchanged cut-ups which emerged as coherent and meaningful prose. South African poet Sinclair Beiles also used this technique and co-authored ''Minutes To Go''.

Gysin introduced Burroughs to the technique at the Beat Hotel. The pair later applied the technique to printed media and audio recordings in an effort to decode the material's implicit content, Hypothesis that such a technique could be used to discover the true meaning of a given text. Burroughs also suggested cut-ups may be effective as a form of divination saying, "When you cut into the present the future leaks out." Burroughs also further developed the "fold-in" technique. In 1977, Burroughs and Gysin published ''The Third Mind'', a collection of cut-up writings and essays on the form. Jeff Nuttall's publication ''My Own Mag'' was another important outlet for the then-radical technique.

In an interview, Alan Burns (author) noted that for ''Europe After The Rain'' (1965) and subsequent novels he used a version of cut-ups: "I did not actually use scissors, but I folded pages, read across columns, and so on, discovering for myself many of the techniques Burroughs and Gysin describe".

Argentine writer Julio Cortázar often used cut ups in his 1963 novel ''Hopscotch (Julio Cortázar novel)''.

# Sections

# See also